This painting, titled Space Mountain, is a vivid fusion of landscape, abstraction, and cosmic imagination. A jagged, snow-dusted peak dominates the composition, rendered in layered strokes of blue, green, and white paint that ripple with motion and texture. The mountain feels both earthly and otherworldly — a geological form caught in transformation, its summit edged with a surreal red halo that suggests atmosphere, energy, or re-entry.
Set against a rough, brown ground that hints at worn wood or industrial surface, the scene merges the natural and the artificial. Linear marks and geometric shapes — circles, grids, and sharp angular forms — cut across the organic mountain textures, introducing the language of mapping, navigation, and technology. A prism-like arrow of colour pierces the lower left, echoing the sense of trajectory and travel implicit in the title.
The palette oscillates between cool celestial blues and bursts of neon intensity, creating a sense of movement that feels part ascent, part launch. Space Mountain becomes less a depiction of a place and more a metaphor — for ambition, exploration, and escape. It imagines the mountain not as a fixed form but as a portal between worlds: where nature meets machine, and the dream of transcendence becomes visual energy.
